The invisible characteristic of chronic pain makes up a huge part of chronic pain’s battle.
This very invisible quality that I loathe for not communicating my hell, but love because I can somewhat fool the general public and resemble my old self, also provides another horrendous scenario. It allows the blatant abuse from insurers who use the invisible quality to their advantage avoiding the payment of rightful compensation to those owed it… yes, those like me!
But my point with this post is that so many would label Frida’s wardrobe as ‘beautiful’ when really it was a communication method that screamed her daily torment. Need I state, I so relate to this…
Original post Michael Hoppen Gallery
Frida by Ishiuchi Miyako (2013) is a photographic record of Mexican artist Frida Kahlo’s wardrobe and belongings. Following Kahlo’s death in 1954 her husband Diego Riviera began placing her personal effects into the bathroom of their Mexico City house, “The Blue House“, which later became the Museo Frida Kahlo. Riviera gave instructions that this room should remain sealed until fifteen years after his death and it in fact remained unopened until 2004 when the museum decided to organise and catalogue the contents. Ishiuchi Miyako was invited to photograph these artefacts, over 300 unseen relics of Kahlo’s life. Continue Reading